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Productions

Zéphyr, Vent de l'Amour | Les Grands Suites | Ontario Dance Weekend
The Voice is the Soul of the Dance | David and Jonathas

The Voice is the Soul of the Dance

Rosedale Presbyterian Church Presents dance OREMUS danse in The Voice is the Soul of the Dance.
Date & Time: Sunday, November 26, 2000 at 3pm.
129 Mt. Pleasant Road, Toronto (2 blocks North of Bloor Street East)
Starring Nina Scott-Stoddart, Mezzo-Soprano
Ms. D. J. Clary, Piano
Paul-James Dwyer, Solo Dancer/Choreographer
Costumes By: Amanda Stapells, Anna Savage, P. J. Dwyer

A Dance & Lieder Recital

Repertoire: Clara Schumann (1819-1896)
Fanny Mendelssohn Hensel (1805-1847)
Richard Wagner (1813-1883)

Nina Scott-Stoddart
of Opera Anonymous wrote her thesis on Women Composers at York University, Dept. of Music. A deep commitment to the little known music of Fanny Mendelssohn and Clara Schumann has informed Ms. Scott-Stoddart's choice of repertoire for Part I of this recital. In an age when women were not accepted as composers, these creators had to hide behind the men in their lives when it came to publication or accreditation of their artistic output. Sadly, this has helped to keep their work in partial eclipse ever since. Ms. Scott- Stoddart will speak about these two composers during the first half of the concert, which will consist totally of their lieder. dance OREMUS danse is proud to work again with Ms. Scott-Stoddart. Our last project together was the 1997 Design Exchange production "Marie-Antoinette The Last Letter", where she sang opera extracts by C. W. Gluck and Marc-Antoine Charpentier.

Ms. D. J. Clary
is considered one of Toronto greatest lieder accompanists, and a well known regular of CAMMAC. As a private piano teacher Ms. Clary opened her own music school, here in Toronto. Her interest in the German lieder repertoire is one of her major passions. Master Classes with some of the worlds leading leider experts has only intensified her desire to perform this school of art song. This is the second production Ms. Clary has appeared in dance OREMUS danse, since the Ford Centre Recital Hall 1999 project "Lavabo". We also have the honour of her expertise as company repetiteur and as a Board of Directors member.

Paul-James Dwyer
is the Founder/Co-Artistic Director of dance OREMUS danse, a not-for-profit arts organization dedicated to the art of Isadora Duncan (1877-1927), the founder of modern dance. Incorporated since 1996, the company has a live music mandate. The company mounts productions of orchestral, choral and solo piano/lieder compositions. Recently, the company has moved into the world of opera with numerous projects and tours to Europe in the works. As a solo dancer and choreographer in the technique, vocabulary and philosophy of Isadora Duncan, Mr. Dwyer has developed a unique body of work that is considered innovation within tradition and represents the integration of body/mind/spirit, with an emphasis on emotional honesty and directness. Mr. Dwyer will dance all five poems of the Mathilde Wesendonck Lieder Cycle, a remounting of his 1994 choreography.

Program

Fanny Mendelssohn Hensel
Italien (published as Felix's Op. 8, No. 3)
Sehnsucht (published as Felix's Op. 9, no. 7)
Die Nonne (published as Felix's Op. 9, No. 12)

Clara Schumann
Liebst du um Schönheit (Op. 12, No. 4)
Warum willst du and're fragen (Op. 12, No. 11)
Sie liebten sich beide (Op. 13, No. 2)

Intermission

Richard Wagner
Five Poems By Mathilde Wesendonck:
Der Engel (The Angel)
Stehe still (Be Still)
Im Treibhaus (Hothouse)
Schmerzen (Torment)
Träume (Dreams)

Notes on the Wagner Wesendonck Cycle: During an interruption in the composition of his opera "Tristan und Isolde", in the Winter of1858, Richard Wagner set to music five poems of his mistress Mathilde Wesendonck. These occupied him for most of the season, and proved excellent exercises for his opera. The songs were originally written for piano accompaniment. Later, Wagner orchestrated "Traume" alone as a birthday present for Mathilde. Felix Mottl orchestrated the rest around 1880.

dance OREMUS danse would like to thank Ms. Irene King and the staff of Rosedale Presbyterian Church for their assistance in making this a memorable event.